A TOP JAZZ RECORD OF 2014. An emerging artist with a deliberative edginess, the promising young pianist Kris Bowers is full of surprises on his debut disc, Heroes + Misfits, an eclectic thrill ride through amped-up electronic keyboards, soaring saxophones and acoustic piano played over lush soundscapes. Continue reading
A TOP 10 JAZZ RECORD OF 2014: For listeners who want to put the usual standards and post bebop swing on pause, the 33 year-old trumpeter Takuya Kuroda stands tall on his Blue Note debut, Rising Son, a polished set of jazz tunes with retro R&B riffs and de rigueur hip hop sonics. Produced by singer/songwriter José James whose own records, particularly 2013’s No Beginning, No End (Blue Note), smartly braid jazz with pop-glazed rhythm and blues, Kuroda’s album sets an after-hours party mood that starts with the rousing title track and flows throughout. Kuroda’s compositions fuse infectious urban rhythms with in the pocket Afro-centric grooves inflated by keyboardist Kris Bowers (an artist blowing up on the national scene with his Concord Jazz debut CD, Heroes + Misfits), electric bassist Solomon Dorsey, drummer Nate Smith and the satiny tones of trombonist Corey King. Kuroda and King redefine the classic two-horn frontline architecture that Blue Note built their reputation on. As a player, the trumpeter falls somewhere between Lee Morgan’s sound and Art Farmer’s supple capacity for storytelling, especially on the closing track, “Call,” an opus of sorts characterized by a classic CTI-style arrangement melded with a Prince-like jam coda.